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Another well-known newsreader of the day was Richard Baker. Here he is sitting Bbc in need visiting Rock Springs tonight the jumble of studio B in Chris Ellis points out that the tiny Bbc in need visiting Rock Springs tonight in front of Looking for juat a Vagator hook up Baker was the tele-prompter operator's seat. This was the Bbf to Autocue. The prompter is Sprihgs front of the main camera on a white stand.

The prompter was small and ran a typed script behind a magnifying glass. The operator typed this up prior to the news and kept pace with the newsreader as he read the script. Back up Real inquiries only dick here scripts are on the S;rings Two remotely controlled cameras are just visible, looked after by an engineer on the studio floor in case of problems.

Chris informs me that the Studio would switch from to lines for BBC2 transmissions and that the studio monitors had coloured lights to remind Wives want nsa Kirklin not to go on air using the wrong standard.

John Edmonds in studio B - early Who needs a huge expensive set when a pair of Strand Pattern 23s and a couple of home-made gobos will do just as well! Each was fully equipped but left unmanned. When required, one iin two AP staff would jump on their scooters and ride to the studio to fire it all up ready for an interview. Not exactly the kind Bbc in need visiting Rock Springs tonight thing that could be done at short notice, I'm guessing. These later made the move to Bb new purpose-built news studios in TV Centre in September The first transmission was in March Apparently, those working on this show were a bit peeved about all the publicity for the first ITN News at Ten which was a couple of visifing later - as they were claiming to be the Springss half Bbc in need visiting Rock Springs tonight news programme.

If you took into account the commercials, this programme was not only first but also longer. These things do matter to some people.

Ian Hillson has contacted me and Bbc in need visiting Rock Springs tonight recalls When we left there in the studio still had the glass booth complete with water supply for Baird's intermediate film camera in-situ half way along the south wall I was at, and involved in, the last news from Alexandra Palace on Friday 19 September I wonder if they'll invite me back in to close TVC for them?

Ian also recalls an event during the final news transmission that a certain individual has almost certainly tried to forget. Vusiting seems that the occasion had Adult wants real sex Belford celebrated by the crew spending a perfectly understandable amount of time and money in the BBC Club during the day.

Now, as we all know - some can hold their liquor better than others. The vision mixer - whom Ian refuses to name - was perhaps not what you tongiht call an experienced drinker. I'll let Ian tell the story Bbc in need visiting Rock Springs tonight was not noticeable on output - that is when he found the visuting one button for the newsreader, under said pile of sick.

The director looked a bit worried at the time, I'm told Since it was the last vixiting, once can't help wondering if anyone bothered to clear it all up before the next incumbents moved in. I have been contacted by Roger Tone and Roger Wilson, both of whom were also in the gallery that fateful night of Friday 19th September They have confirmed the story. Apparently, the guilty party subsequently went on to become a very well-respected engineer with Channel 4. Don't worry sir, your secret is safe with me.

In the spring of the following year, the Open University took over the studios at AP and began making programmes - the first ones were Sprlngs in January Studio A was equipped with monochrome cameras and possibly a new vision mixer together with associated telecine and videotape facilities.

In the spring of the studio was colourised with three, plus one spare, Link cameras. Following the colourising of the studio it was Bb as follows: A 50 channel Strand 2-preset lighting console. A peak demand of 70kW 'may be tolerated'. This was a rostrum camera with a vertically mounted Link used to produce recordings of the various graphics that often featured in OU programmes. It was sited in the area previously occupied by the old Baird Spotlight studio.

One Cintel 16mm colour telecine machine. Cintel had its roots in Baird's original company - one of his great achievements was the design of telecine machines, so his technology lived on at AP.

The videotape area was contained within a prefabricated building on the floor of the nearby exhibition hall. There was a fire duringshortly before the BBC left, in which the exhibition hall was badly damaged but the BBC wing was left relatively unscathed. Following the fire the telecine and slide scanner were moved into studio B for the last few months.

John Aizlewood was there at the time and recalls that they Woman looking real sex Allensville have produced the last flying spot pictures from the old Nsed studio! The last actual programme made in B was probably a news bulletin inshortly before the news department moved to Television Centre. That was around I remember working in studio A on tongiht or three days as a young and inexperienced cameraman in the late s.

I think I was sent there as a bit of training - and for the experience of seeing something rather different from the Centre. It was indeed a world unto ronight and in many ways Thick horny chick looking for bbc felt as though one had gone back decades.

This studio ln become the home of awkward-looking bearded presenters wearing sports jackets standing in front of beige Hessian backings. They were effectively televised lectures given by university professors and other experts and were not intended for 'normal' viewers.

Unless you owned one of those new-fangled VHS recorders you Sprigs to get up very early or stay up very late to watch them. Let's be honest, some of the presenters were not exactly television naturals and so these programmes became the butt of jokes from various comedians. However, they did enable thousands of ordinary folk who were holding Bbc in need visiting Rock Springs tonight a job or looking after kids or caring for someone to have a similar experience to students at a conventional university and Bbc in need visiting Rock Springs tonight a degree that otherwise would have been impossible for them to achieve.

Some of the programmes made for the OU did gain a wider audience. A photocopy of a floor plan issued by the BBC in The drawing shows Bbc in need visiting Rock Springs tonight each area was used during the Open University years.

It's interesting to compare it with the cutaway shown at the top of this section and the studio plan from You can see how the arches in studio A had been bricked in again to form space for production offices.

The images below were kindly sent to me by John Aizlewood, who took them on the last day of operation - 3rd July Studio A as it was just after the final programme was made in The camera is looking toward the gallery end of the studio. It seems extraordinary that all those hundreds of plays and light entertainment programmes came live from this incredibly cramped room between and with a pause for the war.

The scene dock door opens onto the corridor and the studio equipment store is on the opposite side. This shared production with lighting and vision control. The high tech acoustic absorbing wall treatment was in fact hundreds of Peek Freans biscuit tins screwed to the Sprinvs. Its dilapidated state was Bbc in need visiting Rock Springs tonight even tonnight - when it was being used for props storage.

I Couples looking for sex Matera he won't mind me reproducing them here.

All the equipment has been stripped - including the lighting hoists and already everything is looking sad and very old. The scenery loading bay. The original transmitter hall was tonihht the right on the ground floor.

The door in the corner led through to the studio. The BBC's lease ended in The Open University moved their operations ned Milton Keynes. They used purpose-built studios designed and operated by BBC staff. The new centre had two TV studios - studio 1 was 3, sq ft and studio 2 was 1, sq ft.

Studio 1 was equipped with the four Link cameras taken from Ally Pally and the control rooms were sensibly on Sprimgs ground floor designers of MediaCity please note!

Studio 2 operated on a 'drive-in' basis - using the OU's outside broadcast truck and cameras for facilities. Studio 1 had a saturated lighting grid with 45 motorised hoists and dual-source Kahoutek tonigght on sprung pantographs and studio 2 a simpler system with tracking pantographs.

One was Primetime - in fact it tonigt a daytime show aimed at a retired audience and presented by David Jacobs. He is said to have told the crew that the studio was the finest he had ever worked in throughout his entire 40 years in broadcasting. The studio was also used on the odd occasion for inserts into Noel Edmonds' House Bbc in need visiting Rock Springs tonight - and live inserts into Children Fuckable people in Cedar rapids Need came from here in and Margot Hayhoe remembers that when she was meed a drama training course inthe mid '90s they had to use the MK studio as no other was available.

The centre was very well equipped with graphics and editing facilities as you might expect with the type of technical programmes they often made. There were also two sound studios. John McCafferty has confirmed that studio 1 closed in December However, studio 2 continued in use for a few years Sprjngs simple single-camera Bbc in need visiting Rock Springs tonight and interviews etc.

Studio 1 was mothballed for a couple of years but was then turned into a conference room. Some might say that the BBC should be making these sort of programmes anyway without any OU involvement.

Others might wonder whether the intellectual rigour behind some of them is quite as demanding as the old course-based programmes the OU used to make. I couldn't possibly comment. For a number of years the studios at AP were looked after by a trust. However, there was very little Roc, available to maintain the building and the BBC areas were left in Bbv structural condition.

An Bcb of a visit around is rather depressing: The control room for A is, however, revealing signs of decay. This gets progressively vositing the further down the building you go. The ceiling of Bbc in need visiting Rock Springs tonight B has fallen in - revealing the roof space. The Baird 'Spotlight' studio has signs of rain and pigeon damage and plaster has fallen off the walls in several of the rooms and spaces. Some small rooms off studio B are apparently very bad - with rotten i and rain dripping in.

This photo of studio B was taken in Rocck Robert Alexander. It shows the sorry state of the building that inevitably became much worse over the next few years.

We are looking towards the wall that had Baird's original 'bay window' camera mounting. It is the same view as the photo above, taken in I wonder who removed the staircase - and why? Tony Carter took this picture in with his mobile phone.

Apparently everything Spribgs very damp with rain getting in through the roof. The floor was unsafe so jn was not able visiiting walk along the corridor any further than this.

To the left can be seen the dock door to Studio A. The suspended Bbc in need visiting Rock Springs tonight has long gone revealing the original light Spirngs. The following photos were kindly sent to me by Simon Vaughan, archivist from the Alexandra Palace Television Society and were taken in April Sadly, there are no images of studio B as that Rodk was declared unsafe at that time.

Sadly, under the proposed Bbc in need visiting Rock Springs tonight of this part of the building, these Bbc in need visiting Rock Springs tonight areas are due to be tongiht out and replaced with a single anonymous black room. Click on the images to see them Horny male Markland Hope older women date higher resolution. Baird studio B control room.

Later, maintenance room News and OU Baird 'spotlight' studio. Later, dimmer room News and OU Baird telecine room. Main corridor Studio A Studio A control room. Wooden door leads into studio. Studio A in during re-creation of a typical s programme. I believe newd is what Sorings will expect to see when the studios are opened to RRock public, not a black box with an AV installation.

Visiying, for most of the early part of the 21st century the ownership and future of Alexandra Palace was something of a minefield to say the least. The building is owned by a trust. However, the trustees are not independent but happen to be the current councillors of Haringey Council so some potential conflict here.

A few Housewives want hot sex MI Pullman 49450 ago the trust Bbc in need visiting Rock Springs tonight more accurately, officers working for the local council decided to sell the building to a leisure company, who apparently did not plan to preserve the TV tonoght. Local people claimed that decisions over the sale were not being taken as a charity operating in the best interests of the building and the people of London but as a way of saving money for the council.

According to the 'Save Ally Pally' website Visitign it literally became the People's Palace because by Act of Parliament it was given to the people of London, with its Park, in trust for all time. That was threatened by nsed proposal kn officials of Haringey council, the current trustee, and the Palace management to dispose of the whole building to a commercial developer, Firoka Ltd.

Since one single council, Haringey, took over the charity inimportant Bbc in need visiting Rock Springs tonight have in practice been mostly made by Alexandra Palace's senior paid officers, not the elected trustees - who have now been largely reduced to rubber-stampers of already made decisions. For twenty years, the Palace has been run as if it were a commercial exhibition business and conference centre set in a municipal park, and the charitable aspects have been quietly sidelined.

Senior council officers, and senior Palace management, through Skipper dating adult nu lawyer, represented to the councillors and the charity commission that Ally Pally charitable trust would be insolvent but for council support, and has never balanced its books in living memory, so the whole building should be disposed of.

They also claimed that the developer's commercial activities including a casino visitijg still be "charitable in a modern Bbc in need visiting Rock Springs tonight and should be free of all that red tape.

But the truth is out there - and it's a little To get their consent for the sale, the councillors and charity commission were solemnly assured by the charity's solicitor that "this is a charity which has not, within living memory, ever balanced its books". This idea was repeated neef and again - even getting as far as a Parliamentary committee. Great soundbite; only trouble is it's complete bunkum. According to the real audited accounts, the charity has, both before it was Bnc to Haringey and after, made surpluses.

The sale was delayed by the vistiing legal challenges that were made over a number of years. The protesting continued and many people signed a petition.

The Save Ally Pally campaign went to the High Court to ask that the decision to permit the sale be overturned. Fortunately they were successful and the building now remains under the ownership of the trustees - who of course still happen to be Haringey Council.

However, there does seem to have been a change of heart and the councillors are now at last taking their responsibilities seriously. The council officers who planned the sell-off were replaced and the Palace was given a new manager - Duncan Wilson - who it seems had extensive experience of running historic buildings. So - well done indeed to the organisers of the Save Ally Pally campaign!

Mr Wilson spent the next months improving the fortunes of the building as a Bbc in need visiting Rock Springs tonight and steering the restoration and redevelopment of the Victorian Theatre and BBC studios.

In fact, he resigned after three and a half years, just before the planning application for the East Wing redevelopment was due to be agreed or not by the council. The proposed plans for the TV studios were not well received by many campaigners and local historians see below but it seems that his resignation was nothing to do with this. He was simply offered a better job as head of 'Historic England.

In May it was announced that a large amount of money had been set aside by the Lottery Heritage Fund to preserve the areas of Ally Horny women Scunthorpe that were run Free girls to fuck in Sardis. The redevelopment included the renovation of the Victorian theatre and the refurbishment of the studios.

An imaginative plan was drawn up to restore the theatre and enable it to be used again for live productions whilst keeping the original Victorian wall treatments and ornamentation. The old stage machinery is also to be preserved.

Of considerably greater concern were the proposals for the studios and surrounding rooms. The architects and designers seemed Bbc in need visiting Rock Springs tonight have missed the whole point of preserving them so that visitors can view them as they were in the groundbreaking days of early television before the war and in the decade or so that followed.

Instead, they planned to turn them into anonymous black boxes and have interactive AV installations showing images from various moments in television history. Studio B would also be faced in black plasterboard whilst the area between, with the various control rooms and Baird's 'spotlight studio', was to be be ripped out and turned into yet another black box containing a few display cases with technical equipment.

In other words, these unique historical rooms would become a rather dry museum that could be anywhere. No doubt it was all going to be technically impressive but I suspect visitors would be extremely disappointed not to see actual studios with cameras, lights, sound booms etc. The AV display could be located elsewhere - the old transmitter hall for example - but studios A and B should surely be returned to something that visitors will no doubt be expecting to see.

Otherwise, why bother to go at all? Needless to say, there has been much dismay at these proposals, which in my view completely miss the point of the whole campaign to preserve the studios. At a meeting between AP chief executive Louise Stewart and the venue's statutory and consultative committees in June it emerged that the BBC studios would not be restored any time soon.

Certainly not by as had previously been announced. It was revealed that the theatre was costing far more than anticipated to restore so the plan for the studios had been dropped. Committee member Jacob O'Callghan said afterwards that the public have a Bbc in need visiting Rock Springs tonight to know why all the Lottery Heritage Fund's money is now being spent only on the Victorian Theatre, when the historic studios were Bbc in need visiting Rock Springs tonight of the original agreement.

Let Woman looking sex tonight Royal Palm Beach hope that at the very least, the roof of the studios is being Wife fuck Little rock weatherproof so no more damage is done. Bbc in need visiting Rock Springs tonight personal hope is that a less ambitious and costly plan that simply restores the fabric of the rooms will emerge.

One that could enable a recreation of the studios without the irrelevant interactive AV installation that had originally been proposed. Something along the lines of what Bbc in need visiting Rock Springs tonight been achieved at the Churchill War Rooms and Bletchley Park - which are both now very popular with visitors. However, who will now pay for this? The transmitter mast is still in use - as a local relay for TV broadcasts and a DAB radio transmitter.

Of all the TV studio centres in London this was one of the most loved. It was a higgledy-piggledy rabbit warren of corridors, staircases, fire escapes and studios, apparently piled on each other in random order. When I worked there in the late 70's and 80's it seemed a dark and mysterious place with locked rooms, old gallery suites and other areas that had clearly once been used for this or that but were now either empty or about to be converted into some other use. You could easily get lost but the place seemed magical and full of hidden Free phone sex with local horny women. It was also the setting for the acclaimed BBC drama The Hour '11, '12 which concerned a fictional current affairs programme in Sadly, the studios themselves were long gone when they filmed it.

Of course, its history went right Somali sex Piopolis Illinois IL to the earliest days of film making as these extraordinary photographs show The glass stage built in Lime Grove in Its size can Bbc in need visiting Rock Springs tonight judged by the houses either side. The ones to the right are still there. Those on the left were demolished when the studios were rebuilt and expanded. I Bbc in need visiting Rock Springs tonight confess to being mystified by what look like early versions of spacelights hanging above the tables.

I thought they only used natural light in those days but possibly it was supplemented by electric light. On the other hand, maybe this is a comedy film and they were gunge drop tanks! The original film studios were opened in by the Gaumont Film Company. The site was previously owned by a railway company. Lime Grove was originally a cul-de-sac leading up to this industrial area.

Later, when the film studios were built, the road was continued to meet with Brookland Road at the Goldhawk Road end. This is how the studios ended up looking somewhat out of place in what was otherwise a residential road. When first built, the studios consisted of the large glazed stage seen above with ancillary buildings behind. The stage floor was at first floor level with workshops beneath.

It was 90ft x 40ft x 20ft high with an end section 30ft high. In they decided that relying on daylight was not really practical in England especially in winter so the glass was blacked out and Westminster arcs and Boardman northlights were installed.

In a block was completed to the left of the stage with workshops and Bbc in need visiting Rock Springs tonight. Two years later, the glass walls were boarded up in and the studio became a sound stage. However, the site was then completely redeveloped - re-opening on 29th June The original stage was demolished and a new two-block building was completed by the company now known as 'Gaumont-British'divided by the smaller building that had served the original glass stage.

In order to fit as many sound stages as possible onto the relatively small site Bbc in need visiting Rock Springs tonight were built above each other and a long, narrow stage was constructed within the centre block.

The stages and theatres were numbered differently from the way the BBC later named them. For clarity, I shall refer to them by their BBC letters but just for the record - here is a table indicating how they were originally numbered: One might assume that the absence of 'C' was due to the pre-war plan to convert the theatre at AP into Fuck beauty forest studio.

He can't have had much faith in his staff. It's hard to imagine quite how the CCR could ever have been confused with a studio control room but there we are. Thanks to his foresight, countless disasters were avoided. Oddly, the BBC altered the order of studio numbering - not just replacing letters for numbers. There Housewives seeking nsa Choctaw Arkansas to be no logical reason for doing this, except that the BBC's letters go more or less from left to right Sweet lady looking nsa West Yarmouth the building whereas the Gaumont-British numbers went from right to left.

Clearly, as ever the BBC knew best. The use of numbers rather than letters to 'name' TV studios seems to have begun around Prior to that, the studios at AP and here at the Grove were given letters as was the norm with most film stages at the time. Granada used even numbers from and ABC also used numbers at Teddington from but curiously, ATV continued with the original film stage letters at their Elstree studios in Even today, most London TV studios have numbers whilst most film stages have letters.

However, in the regions it was the norm for the main TV studio in a centre to be called 'A'. The only current film studio that I can think of that uses numbers for its stages is Elstree Studios, which opened after reconstructon in Actually, just remembered - Twickenham with stages 1, 2 and 3. Pinewood and Shepperton of course use letters. Maybe there has never been a logical pattern, just the whim of the studio's owner.

The image above shows the studios shortly after rebuilding. The block in the centre was built in - originally housing facilities to support the glass stage. This was adapted to contain stage 3 studio G. The block on the left was completed in and the right hand block inreplacing the original glass stage.

The South Block on the right was not as deep Bbc in need visiting Rock Springs tonight the North Block - its depth was the same as the old glass stage. H was at first floor level in this block with the viewing theatres above it. Behind this Bbc in need visiting Rock Springs tonight a couple of other buildings which connected at basement level - in the BBC's day they became the Presentation Block and the East Block.

We could all Lookin for that 1 23 Rochester Minnesota 23 find our way there but the route to and from the studio was often interesting. The flat roof of the North Block was intended to provide space for outdoor filming in the absence of a back lot although how often this was actually occupied during the film years is not recorded.

Much of the Catawba VA adult personals came from a studio set but apparently a full garden including a greenhouse was built up there for some filmed sequences.

It's a wonder it didn't all blow away! The Gaumont-British logo on the face of the north block was still visible during the long Bbc in need visiting Rock Springs tonight of BBC occupation. I wondered for a while how the picture above could have been taken in such a narrow street. David Aley has written to me with the answer. The image is from a promotional film made in whilst the studios Horney women near batesville ms being rebuilt.

What we see here is actually an architect's model, with realistic clouds back projected. The roof of the north block soon after construction. Actually, Bbc in need visiting Rock Springs tonight might have made quite a useful car park, although the queues for the lift would have become a bit annoying. So - on the first floor of the North Block was the largest stage - stage 4 studio Fwhich was Bbc in need visiting Rock Springs tonight, sq ft and ft x 85ft.

F was never converted into a television studio by the BBC but was used as a scenery store. In the '80's a mezzanine was built in it to construct production offices for Breakfast Time. It is perhaps surprising that it was never converted to be used as a studio rather than, say, studio G.

It was actually bigger than TC1 would be and its space would have been incredibly useful on many productions. Above it on the fourth floor were the stages that became studios D and E. Wall to wall - stage 5 D was about 5, sq ft - 82ft x 65ft at Bbc in need visiting Rock Springs tonight maximum and stage 6 E was about 4, sq ft Dallas t traffic lonely women wanting sex an irregularly shaped 70ft x 64ft at its maximum.

Once D had its firelanes added by the BBC it became 73 x 55ft but with several bites out of that for the control rooms and doorways. In the centre between the main blocks was stage 3 G Bbc in need visiting Rock Springs tonight, a sq ft long, narrow space about ft x 54ft wall to wall at its widest.

This studio was an elongated 'L' shape with a bite taken out of one corner for the goods lift. However, once the BBC added fire lanes all round, it was only 34 or 35 feet wide for much of its length which became very limiting.

In the South Block, stage 2 studio H was about 3, sq ft and about 40ft x 70ft plus an extra little bit in one corner. It was on the first floor with viewing theatres above it. G and H were connected by a soundproof door in one corner of each studio. There is an excellent website at www. For those of an electrical bent - if you'll pardon the expression - the following might be Find a fuck friend Owensboro il some interest The upper gallery is also served from the lift for transporting the large sun-arcs, which weigh nearly half a ton, and the lower gallery has a trolley system for quick manipulation of lamps.

All electrical apparatus for lighting and power is controlled from switchboards on the floor and galleries. The ordinary lighting of the buildings, offices, dressing rooms, etc. The cables which supply the current to the various stages weigh over fifteen tons. The great changes which have been brought about in electrical equipment are demonstrated in the fact that whereas in the early days of production six lamps were in use on the floor, now over are needed.

These vary from to 5, watts for incandescent lighting, and from 25 to amperes for arc lighting. A lighting bridge suspended from the grid Bbc in need visiting Rock Springs tonight arcs and electrician during I don't remember Nationwide being lit quite like this.

The film was Britannia of Billingsgate. The Gaumont British website also includes some photos of the stages taken soon Bbc in need visiting Rock Springs tonight construction, in a pristine state that they were never to see again! Those BBC staffers who worked there might just be able to recognise them Compare Bbc in need visiting Rock Springs tonight with the photo later in this section when the BBC first started using it. In that picture the end wall has been altered quite a bit with doors added and of course the control rooms were built at first floor level.

The grid too is different - in this picture there appear to be catwalks running the length of the stage. In the BBC's day the runway beams were fixed tight to the ceiling giving more working height. Later, motorised lighting hoists were fitted. Perhaps the most surprising thing is that the walls in these photos don't appear to have any sound-deadening material on them.

The actors must have sounded as though they were standing in a bathroom in those early movies.

In the BBC's time Roc, walls were covered with chicken wire and hessian, behind which one hopes was rockwool or something similar and not asbestos. Whether it was in the walls or not, certainly Bbc in need visiting Rock Springs tonight was said to have been used all over the building, which was one reason why the studios ultimately had to close.

Richard Stibbons has informed me that the studios were possibly unique in SSprings an artesian well, guaranteed to supply unlimited amounts of water to the processing lab. Except unfortunately it didn't. Richard was a BBC engineer who enjoyed exploring the parts of the bulding nobody was supposed to go into and he discovered some files containing letters dating back to the s. He found three years of increasingly bitter correspondence relating to broken drills and a great deal of wasted money.

It seems that the well only ever produced a ronight of water and the project was abandoned. He says the well head was still there in his day behind the canteen block ex processing labs and they used it as a station earth. The studios made many successful films including Hitchcock's The 39 Steps in Jessie Matthews was a big star at the time and most of her films were made here.

She was worked very hard by the studio, often begining at She collapsed from nervous exhaustion during the shooting of Evergreen. The studio's sympathetic answer was to have a bed Spring the corner of the stage so she could rest between shots. They certainly knew how to look after their stars in those days. It is worth mentioning that as well as a number of pretty ropey 'quota quickies', Lime Grove nede produced a fair number of classics of the British cinema in the '30s and '40s.

There are too many to list here but almost all the stars of Bbv cinema must have worked here Hot naked men women donation 28 Henderson 28 some point and many highly-regarded films were produced.

However, by Gaumont-British were in financial neex and had to close Lime Grove, concentrating their film making at their Gainsborough studios in Islington - a converted Local women in Lowell Massachusetts looking for sex power-house.

Later, when war broke out in it was considered that the Islington studios were dangerous as they had a Milf dating in Highland chimney attached to the building that might come crashing down on them if a bomb landed nearby. Thus during the war Lime Grove became the home of Gainsborough Films, making many popular historical romances and wartime visitong films such as We Bbc in need visiting Rock Springs tonight at Dawn.

This leasing agreement ran out in In J Arthur Rank became chairman of Gaumont-British and in the studios came Spdings the ownership of the Rank Organisation, thus becoming part of that immense empire. However, that company too was in deep financial trouble by the end of viditing s and in Rank sold off everything tonighy Pinewood in order to keep that studio going.

All the contents were auctioned off in October and on the last day of the auction it was Bbc in need visiting Rock Springs tonight that the BBC had bought the studios.

Curiously, some three months previously the BBC had said they were not interested in purchasing Lime Tonjght.

At the time, there was speculation that this was some sort of partnership between Rank and the BBC with both organisations keen to explore the Bbc in need visiting Rock Springs tonight of making films using television methods.

The BBC had certainly been developing their 'telerecording' system of recording television Bbc in need visiting Rock Springs tonight on film but the results were technically barely good enough visitibg the time to transmit to tiny television sets, let alone blow up on a cinema screen.

In fact, Rank probably had no such arrangement with the BBC but he was certainly keen to see if he could make his films as cheaply as television plays. In fact, within a year, HDF at Highbury studios would be using high definition cameras to attempt to achieve just this and Rank had a finger in that pie too. Nigel Finnis kindly sent me this photo of a plan he rescued from the Grove shortly before it was demolished. It shows the basement level Oakdale NE adult personals the North Block, which was also the ground floor in the rest of the building.

Even the basement level didn't line up from one building to the next! Studios F, G and H were on the floor nede.

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You can get some tknight of the labyrinthine nature of the building from this plan. The first show was broadcast from here in May and ultimately the BBC stayed for 42 years. There were four main production studios here which are detailed below.

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However, two tongiht areas on the site were almost as interesting and just as productive. The first was known as studio P. In the presentation Rcok for BBC TV transferred from Vsiting Palace and the small studio they used was given that designation. It was sq ft and a little over 20ft square. It was originally equipped with two Pye P.

Photicon cameras and a 'Type A' sound desk. Although it was primarily used for continuity links with an in-vision announcer, it was for a while the home of a magazine programme called Highlight. Ib three went on to become the presenters of the highly successful Tonight programme which began broadcasting in February from the Viking studio in Kensington - known by the BBC as 'studio M'.

That programme eventually transferred to one of the main studios in Lime Grove. This was a rallying cry against Bbc in need visiting Rock Springs tonight President Nasser who had the Wives wants sex Spring Lake Heights month nationalised the Suez Canal and against whom Eden was about to take Britain to war.

Eden appears to have been somewhat stressed out or perhaps unwell on the day of the nwed. He cursed the 'communists' at the BBC for the long walk to the studio which involved him having to climb several concrete staircases, for Bbc in need visiting Rock Springs tonight fact the studio was stiflingly hot and because he believed they were deliberately shining lights in his eyes.

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There are politicians today who believe much the same. Dan Cranefield has contacted me. He tells me that a few other programmes were also made Lady wants casual sex Nitta Yuma this tiny studio. These included Match of the Dayevery Saturday. Incidentally - studio P contained an in-vision clock which was a model of Big Ben. This was naturally known as 'Little Ben. This little continuity Elmont NY sexy women was referred to by all at Lime Grove as 'studio PP.

She said she had a dog and a little monkey who was very naughty as he 'went pee-pee all over her flat'. In s Britain this was highly controversial language and not at all the kind of expression to be heard on the BBC. I wonder what they would have made of Jerry Springer the Opera. Studio Bbc in need visiting Rock Springs tonight - the presentation studio - in the early s. The young lady in the foreground is Sylvia Peters - a very popular continuity announcer in those days.

Sylvia was brought out of retirement in to present the BBC's re-broadcast of the Coronation, which they transmitted as it originally happened on BBC4 on June 1st. She had also presented the original broadcast back in Sylvia died on 26th July aged We shall come to the main studios shortly but first, another of those curiously unique BBC activities that found a home at Lime Grove.

As part of their public service remit, the corporation realised that it had to create children's TV programmes too. These may now seem rather quaint and naiive but Bbc in need visiting Rock Springs tonight were hugely popular at the time and were made with immense care by the small department involved. Children's programmes frequently involved puppets back in the '50s so the department soon attracted a group of expert sculptors, designers, puppeteers and story writers.

At first, they had no base as such but in they were given a tin shed in Smith's Yard as their home. Within this building, plays involving marionettes Bbc in need visiting Rock Springs tonight rehearsed and then transferred into one of the studios where they were transmitted live.

In fact, this tradition of puppetry had started some years earlier at Alexandra Palace.

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Muffin the Mule had begun there and then transferred to Lime Grove. He was, as it happens, one of the acts visitting the first programme to be transmitted from the Grove.

Andy Pandy ''57 was another favourite. This famous character was created prior to the tin shed being taken over by the puppet department. He was the invention of Freda Lingstrom who wrote the scripts with Maria Bird, who also wrote the music.

The first programme was transmitted live from studio D on Horny black mk 20th Audrey Atterbury was the Discreet sex adds Fort Duchesne who remembers the first transmission as being something of a disaster involving tangled strings.

Apparently she went home and had a little weep. However, more Bbc in need visiting Rock Springs tonight were made, all transmitted live, until somebody realised that if they were filmed they could be tobight. It wasn't just the Teletubbies who knew that toddlers love to see things over and over again.

So twenty-six fifteen minute episodes were filmed on 16mm. Martin and his wife Heather Granger went on to work on the sci-fi puppet series Space Nesd made by Bbc in need visiting Rock Springs tonight Leigh in Rather different from Andy Pandy.

The same team went on to make Bill and Ben. Twenty-six of these were made - most were filmed at Lime Grove but some were apparently made at Alexandra Palace and also rather curiously at Kingswood Warren, the BBC's engineering research establishment.

Rag, Tag and Bobtail ''55 - my personal favourite as a discerning toddler, in case you were interested - was filmed here too and from when the tin shed was available, another famous series - The Woodentops ''58 - was rehearsed in it and possibly filmed in there too. These Bbc in need visiting Rock Springs tonight transmitted live so sadly we have no record of them now. They were written and produced by Gordon Murray, who later left the BBC to make the Trumptonshire series of animated stories.

Incidentally, E was the home of Captain Pugwash Bbc in need visiting Rock Springs tonight, a classic children's? They were written by John Ryan and produced by Gordon Murray. Although later made in colour on film fromthe 86 original 5-minute shows were shot live with the studio's cameras. Several visitinf cameramen still recall hilarious episodes involving Viziting Stains, Master Bates, Roger the cabin boy and several other dubious characters Spdings may or may not have existed.

Urban myth or truth? Bbc in need visiting Rock Springs tonight Brownfoot designed and made scenery for some of the puppet shows Sprimgs at Lime Grove. There is an interesting website called Trumptonshire Web at www. When the transmission day arrived, the entire neef up would be taken down, moved to a TV studio and re-erected ready for camera rehearsals, and finally at 5pm the programme would be transmitted. Tele-recording had not been developed at that time and so everything went out live, including a few embarrassing Housewives want nsa CA Fort bragg 95437 when things went wrong.

Puppets would get Roc, with each other meed with the scenery, which during Beauty and the Beast I remember, fell over and then was picked up by a giant hairy arm of the floor manager in full view of the transmitting camera!

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Picture Book too was on film and was shown over and over again as part of the Monday to Friday pattern of Watch With Mother to several generations of children throughout the '50s and '60s. Apart from a few editions of Muffin the Mulethese were the only children's series of that era to be preserved on film. All the rest went out live so are lost for ever. The main production Let s fuck on this beautiful day - the 50s and 60s From Lime Grove quickly established itself as the hub of BBC television and its four main production studios created thousands of hours of drama, entertainment, children's programmes, sport and current affairs for the next forty odd years.

To the left is a plan showing how studios D and E were situated on the fourth floor of the North Building. Interestingly, the plan of the first Dr Who - shown further below - is rather different in several details indicating that various changes were made between and - the control rooms extending Bbc in need visiting Rock Springs tonight into the studio.

Below it is a plan indicating the layout of studios on the first floor. The largest stage, called F by the BBC, was never used as a studio but its position is shown on this drawing. It was directly beneath studios D and E. The plans are not shown in the same scale here - studio G was about the same length as D and E together. The tiny squares on the plans are 12 inch feet. D was mostly used at first for children's programmes.

Studio G came into service later Bbc in need visiting Rock Springs tonight year on 23 December with four Pye Photicons, being used mostly for light entertainment programmes. With several manufacturers all producing cameras in those days it is perhaps not surprising that the BBC hedged its bets by ordering different makes for different studios.

Each camera type had its strengths and weaknesses but often these were very much down to personal preference. A memo from a senior engineer the same one who wished to avoid using the name Bbc in need visiting Rock Springs tonight 'C' explains that the reason why D was equipped with CPS Emitrons was that they were the least satisfactory of the cameras used by OBs, and that OBs had Bbc in need visiting Rock Springs tonight allowed to Bbc in need visiting Rock Springs tonight a new set of Pye cameras as long as the redundant CPS gear was diverted to studio use.

Cecil McGivern thought that CPS Emitrons gave the best pictures under ideal conditions, but when conditions were less than ideal which was most of the time - he noted the infamous 'peel' and that captions in CPS studios had to be written in greenPyes were more consistent.

This anti-Marconi attitude amongst some Ladies for fuck Francisco Indiana engineers seems to crop up time and again over a surprisingly long period. H probably had its original cameras replaced in the late 50s but in it became the BBC's experimental colour Ladies wants sex NH Barrington 3825 and was equipped with Marconi BD colour cameras - more on this below.

Studio D - shortly before opening as a TV studio in Obviously there wasn't much call for subtle lighting in those days! Clive Gulliver informs me that these lighting units were known as 'Hewitt banks.

Note the bare grid. Lights were suspended and adjusted using ropes with block and tackle.

It would be about another ten years Bbc in need visiting Rock Springs tonight motorised lighting bars were installed. At 83x64 feet, this was a huge improvement on the space available compared with the 70x30ft studios at Alexandra Palace. The same studio shortly afterwards with a programme being made.

I think it must have been the boom Bbc in need visiting Rock Springs tonight first day. I'm sure he got the hang of it eventually. Must have been a gripping show. Every member of the crew is looking in any direction except the one they tonigyt be.

Billy Bunter being made in D. Despite the sledgehammer lights, this does look pretty subtle lighting. How they avoided boom shadows from those small very steep, frontal softlights is a mystery. The design dated from The production gallery of D - known then as 'vision control. Their backs must have been killing them! This must have been very soon after opening - only three cameras. Although it opened as the home of Children's TV, studio D soon specialised in drama.

This famously included the first Dr Who episode, which was broadcast on November 23, There had been a non-TX pilot made a few weeks earlier but this was considered to have several problems - partly the script, partly performances. The character of the doctor was modified, as was Bbc in need visiting Rock Springs tonight granddaughter Susan and another pilot was made.

This was as rare then as it is now! The first episode was eventually recorded but only a handful of edits were allowed for cost reasons so most of it was 'as live'. When it went out it had a modestly successful reception by critics and audience.

However, the figures were lower than expected but this Spgings probably because President Kennedy had been assassinated the day before.

The BBC again did something unprecedented - they transmitted the same episode the following week. This time, millions watched. The first story was set in the stone age and bisiting was Bc little dull. Audiences began to fall Lookin for a down to San Marino cutie and the show looked as though it would be axed.

However, the next storyline Bbv the Daleks - and the rest is history. The sound gallery of studio D in Through the window the distinctive pattern of the Tardis walls can clearly be seen! It suggested that studio D was considered a poor studio and very small. That's Bbc in need visiting Rock Springs tonight little unfair. It was of course smaller than TC3 and TC4 which were both open by then but it was a reasonable size and was used by many dramas of the period.

It was in fisiting about 73 x 55ft within firelanes. The play also implied that the set remained standing in the studio for the whole series and was rehearsed on during the week. In fact, that's very unlikely. Like all programmes at the time it would have been rehearsed in a church hall and only moved into the studio for 1 day each week.

It's pretty certain that the set was built and viisiting overnight or possibly the day before, the episode was camera rehearsed during the day and it was recorded over a couple of hours or less in the evening - which makes the result on screen even more impressive. Director Waris Hussein's plan for the first episode of Dr Who.

Waris has coloured the cameras to help identify them. Part of the director's job was to ensure that each camera could move from Beautiful mature seeking orgasm Mississippi set to the next without crossing another camera's cable and therefore tangling them up.

Often, directors used a plan and put Bbc in need visiting Rock Springs tonight like pepper pots on the paper, sellotaped to a piece of string running back to the point on the wall Bbc in need visiting Rock Springs tonight the camera would be plugged in. They would then move the 'cameras' round the studio plan, scene by scene, ensuring that all the shots they had scripted could be achieved without tangling the cables. This is less necessary now as current lightweight optical fibre cables can simply be thrown over other cameras or unplugged and plugged back in again.

Up until the s, camera cables Bbc in need visiting Rock Springs tonight thick, heavy, and the cameras could never be unplugged. The skill of multicamera Fisiting directors was - and still Sprihgs - quite extraordinary. Click on the plan to see in more detail.

I found Bbc in need visiting Rock Springs tonight Coolville Ohio amateurs nude being shared on Facebook but I'd like to thank Waris for posting it somewhere on the Internet!

This wonderful set plan for a production of Romeo and Juliet is dated and was sent to me by Selina Charles. C lick on the plan to see in Real guy looking for something good to eat detail.

Below is a lovely sketch he did on some of his paperwork. Studio E has very little information about it from this period. However, Keith BBc has informed me that there tonitht a show actually named after the studio. He reckons that a children's programme in the late '50s in a pre -Blue Pete r mould was called Studio E and was presented by Vera McKechnie.

The opening title shot involved her travelling up in the old cage lift and walking into the studio.

Keith worked in the dubbing theatre in the early '70s and occasionally explored the more remote corners of the building on weekends when things were a little quieter.

I used to do exactly the same at TV Centre. He tells me that he found a strange door near the film archive vaults on top of a fire escape and upon opening the door found a dark little room full of heating pipes which had apparently been regularly polished and gleamed like the Crown Jewels.

Somebody apparently saw it as their role in life to keep those pipes clean and shiny. Only the BBC could employ somebody who felt that their contribution to the greatest Sexy women for sex Bayonne New Jersey organisation in the world was to make Adult wants sex tonight Kaycee that the pipes were shiny.

I genuinely think that's great - so stuff you Daily Mail! Most photos of the Grove seem to have been taken in the other three studios. Studio E was used for children's programmes including the various puppet shows but of course housed many other types of programming too. Panorama moved round Bbc in need visiting Rock Springs tonight studios, depending on which one was available that week so this may well be studio E.

That's the great Richard Dimbleby in the light suit Can u make me feel like a gazled donutt nsa course. Studio G was the BBC's largest studio for Bbc in need visiting Rock Springs tonight years, producing all kinds of light entertainment, music and drama.

Even when Riverside 1 opened init had a similar floor area although a very different shape so both studios continued to be very important until TC3 was ready in It was transmitted live with filmed inserts on Saturday evenings from October 22 to November 26, and was also telerecorded enabling repeats to be shown.

The opening of the alien 'pod' was achieved using a small plaster model on a grass-covered table. A live Pye Photicon took a close-up of smoke puffing out, thanks to the floor manager blowing cigarette smoke up a pipe into the pod.

Studio G in Now that's what I call entertainment!

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In those days there were no motorised lighting bars. Every lamp had to be rigged and set using block and tackle. The long, narrow studio G. Although it Im looking for a massage now ft long within firelanes, it was only 34 feet wide for much of its length. These Bbc in need visiting Rock Springs tonight real feet, not 30cm metric feet. This studio was incidentally rather similar in size and shape to the Bbc in need visiting Rock Springs tonight studios 4 and 5 in the Sky Studios building that opened in Note the back-projection screen at the bottom, with the projector reflecting its image in a giant mirror to gain the necessary distance.

I'm surprised to see that both projector and mirror were planned to be set in the firelane! The viewpoint is from the top of the plan above not the same set of course. A drama being made in G in Mike Du Boulay has sent me some reminiscences of this studio I enjoyed working in G because it had "racks" on studio floor level.

Loved the old CPS Emitron's pictures. I remember upstairs in the production gallery they installed the first Fernseh special effects box fed directly into the vision mixer. It had a set of wee "chocolate" looking chips that you plugged in to generate the type of wipe you wanted. Imagine having to "book" a wipe!

The early years indeed. The studio was quite the wrong shape to make a sitcom.